Samsung HLN467W DLP TV Review

By Reviewed by David Katzmaier

Samsung's thin bezel, which you see on this model and the HLN567W DLP Television, has resulted in one of the best-looking rear-projection designs we've come across in a long time. The display's angled, silver frame is a mere 0.5 inch wide--thinner than the border of any plasma--so except for its bottom 6 inches or so, the TV's face is seemingly all screen. Buttons for power, menu access, and input selection are mounted on the right-hand side, along with a set of A/V inputs.

One of the 467W's major claims to fame is its compact dimensions: 41 by 30 by 16.1 inches. Such a shallow depth and a weight of only 74 pounds make placement a breeze. You'll want this set atop a table or a bench. The funky matching stand, the TR46L5S, costs $399.

The medium-size, non-backlit remote is comfortable and easy to use, but it just doesn't seem high-end enough for such an expensive TV.

Like most DLP TVs, the 467W takes a while to display a picture after a cold start. On average, the delay was around 20 seconds, which is about half the time we waited with Gateway's rear-projection TV.

The 467W uses Texas Instruments' HD2 DLP chip. It has a native resolution of 1,280x720 pixels, exactly matching 720p high-definition television. The set converts 1080i HDTV, 480p progressive-scan DVD, and all other video and TV sources to fit the chip's resolution. Naturally, you'll need an external HDTV tuner to watch HDTV programs.

Fine-tuners will dig each input's ability to remember its own settings for contrast, brightness, and so on. You get four picture-in-picture (PIP) views, two of which have side-by-side same-size windows. The PIP feature works fine with standard sources, but you can't display 480p, HDTV, or computer images in the second window. Along with the Normal (4:3) and Wide (16:9) aspect ratios, you get Panorama, which stretches the sides of a scene but leaves its center intact, and two Zoom settings, which crop the top and the bottom. They all work with regular sources and progressive-scan DVD, but only Normal and Wide are active during high-def programs.

The 467W has lots of inputs, but their configuration can be annoying. Two of the component-video connections take 480p, 720p, and 1080i sources, and a third accepts 480i and 480p, but none are truly wideband. If you plug in your Xbox, for example, you'll see blank screens in the setup menu because no single input can handle the Xbox's both standard- and high-def signals.

The DVI jack has HDCP copy protection, so it can connect to next-generation HDTV receivers and DVD players. Also on tap are a standard VGA-style computer input, a pair of A/V ins with S-Video, and an A/V monitor output. For antenna hookup, you get two ins and one out.

Other models in Samsung's HLN line of DLPs include the 61-inch 617W, the 56-inch 567W, the 50-inch 5065W and 507W, and the 43-inch 4365W and 437W. They all offer nearly identical feature sets, and their performance will be similar to the 467W's.

The 467W weathered our series of tests to earn a good overall score. The set still can't reproduce detail in dark scenes or deliver spot-on color like CRT-based models can, but CRT rear projectors don't provide this Samsung's razor-sharp, extremely bright picture when the lights are on. The image remained consistent at wide viewing angles but darkened when we sat too far above or below the screen.

The 467W came closest to the NTSC color-temperature standard of 6,500K when we selected the Movie picture mode and the Warm 2 preset. Our initial grayscale measurements were fairly blue: 8,032K at the low end and 9,045K at the high end. Calibration results were excellent; the respective numbers improved to 6,518K and 6,500K. The 467W's color decoder tends to overaccentuate reds; we compensated by reducing color, but that workaround took some punch out of highly colorful scenes.

Next, we played DVDs on a Denon DVD-2900. The darker material in The Hulk looked more impressive than it did on most other non-tube-based TVs we've seen. For example, in the scene where Betty first encounters the Hulk outside her cabin, her hair had a fairly good level of detail. On the other hand, even the darkest shadows weren't quite black, and when we sat closer than six feet from the screen, we noticed video noise, which in dark areas appeared as clouds of tiny, blue dots.

The rainbow effect, a problem common in single-chip DLP TVs, appeared primarily when brighter objects were set against dark backgrounds. In one scene, for instance, Betty shines her flashlight on the Hulk, and the beam left a trail of color that lasted for a split second.

We must say in the 467W's favor that the TV delivered breathtaking clarity during lighter scenes. As we watched the Hulk hop across the desert, we could make out every band of rusty color and each cleft and bump in the rocks. And when we hooked up the V Bravo D1 player via its DVI jack and set output to 720p, the image looked a bit cleaner and sharper. The 467W has excellent video processing, anchored by Faroudja/Sage's DCDi system. We saw better inverse 2:3 pull-down detection and fewer jagged edges in video-based material than we did with the Denon.

As expected, HDTV looked phenomenal. We checked out the NASA footage on the 720p D-VHS version of Digital Video Essentials, and the clarity and the detail of the Earth seen from orbit came through unscathed. We recommend that you set your HDTV source to 720p to take advantage of the 467W's native resolution.


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